Sword Basics

            Wherefore art thou sword?

What is a stage sword? A replica chosen or constructed to meet the particular demands of a production. No single sword can fulfill every theatrical need. Some productions require light swords, others heavy ones. Some need swords only as costume accessories—strong enough to be drawn or flourished, but never to make contact. Others require swords that can actually be fought with. Even then, what qualifies as fight-worthy depends upon the demands of the fight.

“Stage sword” and “fight-worthy sword” are not synonymous. Nor does fight-worthy mean actor-proof or unbreakable. It means that the weapon has been made from appropriate materials and properly constructed and maintained for use by trained performers in a controlled, choreographed fight. Appropriate is the key word. The appearance of the sword must suit the production design, but its construction and condition must suit the choreography.

I have seen swords made from a single piece of nearly indestructible steel, but so heavy that no actor could safely control them during a fight. Strength alone does not make a sword fight-worthy. Its suitability depends upon its design, construction, condition, and intended use.

Understanding the Stage Sword

The following pages examine how stage swords are designed, constructed, evaluated, altered, and maintained. They are arranged to begin with the special demands placed upon a stage-combat blade, then move through the parts and behavior of the completed sword, and finally into questions of safety, conversion, and care.

  1. Why Stage-Combat Sword Blades Are Difficult to Make
    Why a stage-combat blade requires a very different balance of strength, toughness, resilience, and safety from a historical weapon.
  2. Sword Parts Explained
    An introduction to the principal parts of the sword and the purpose each serves.
  3. Sword Tangs: Design, Stress, and Failure
    A closer look at the hidden structure connecting blade and hilt—and why weaknesses there can lead to catastrophic failure.
  4. Disassembling and Assembling a Sword
    How the parts of a sword fit together, when disassembly is appropriate, and what to watch for during reassembly.
  5. Common Stage-Combat Blade Varieties
    The principal blade forms used for theatrical combat and the advantages and limitations of each.
  6. The Completed Sword
    How blade, guard, handle, and pommel work together to determine the sword’s balance, handling, percussion, and useful striking area.
  7. Checking a Sword for Fight-Worthiness
    How to evaluate whether a sword is suitable for the particular movements, contacts, and stresses required by a choreographed fight.
  8. Converting a Costume Sword
    What may—and may not—be possible when adapting a costume or decorative sword for more demanding theatrical use.
  9. Care and Handling of the Sword
    Guidance on cleaning, storage, rust prevention, inspection, metal fatigue, and safe use.